The Criterion Channel Is Offering A Lineup Of Great 70S Horror Movies This October

The Criterion Channel Is Offering A Lineup Of Great ’70s Horror Movies This October

By Chris Evangelista/Sept. 24, 2020 3:15 pm EST

The Criterion Channel just went ahead and programmed your Halloween movie marathon for you. In October, the streaming service is offering a lineup of great horror movies from the 1970s, including The Texas Chain Saw Massacre, The Hills Have Eyes, Don’t Look Now, Deathdream, Invasion of the Body Snatchers, and more. Check out the full lineup below, and start planning your horror marathon accordingly.

It’s always a good time to watch horror movies. But there’s something extra special about doubling-down on horror watching in the month of October, all in the name of celebrating Halloween. And if you’re on the lookout for suggestions on what to watch, the Criterion Channel has you covered this year. The 1970s were a big decade for horror. America was dealing with the end of the turbulent 1960s and still in the midst of the Veitnam War, and good horror movies always reflect their respective eras. As the Criterion Channel explains, the horror of the ’70s “responded to the decade’s heightened political anxieties and Vietnam War–era sense of disillusionment by pushing the genre’s psychological intensity and visceral violence to shocking new heights.”

On October 4, the following films will find their way onto The Criterion Channel:

Trog, Freddie Francis, 1970 The Vampire Lovers, Roy Ward Baker, 1970 Daughters of Darkness, Harry Kümel, 1971 Let’s Scare Jessica to Death, John D. Hancock, 1971 The Nightcomers, Michael Winner, 1971 Dracula A.D. 1972, Alan Gibson, 1972 Images, Robert Altman, 1972 Death Line, Gary Sherman, 1972 Season of the Witch, George A. Romero, 1972 The Crazies, George A. Romero, 1973 Don’t Look Now, Nicolas Roeg, 1973 Ganja & Hess, Bill Gunn, 1973 Sisters, Brian De Palma, 1973 Theater of Blood, Douglas Hickox, 1973 The Wicker Man, Robin Hardy, 1973 Black Christmas, Bob Clark, 1974 Deathdream, Bob Clark, 1974 It’s Alive, Larry Cohen, 1974 The Texas Chain Saw Massacre, Tobe Hooper, 1974 Shivers, David Cronenberg, 1975 The Witch Who Came from the Sea, Matt Cimber, 1976 The Hills Have Eyes, Wes Craven, 1977 Rabid, David Cronenberg, 1977 Coma, Michael Crichton, 1978 Invasion of the Body Snatchers, Philip Kaufman, 1978 Long Weekend, Colin Eggleston, 1978 The Brood, David Cronenberg, 1979 The Driller Killer, Abel Ferrara, 1979

There’s a lot to get excited about here. I’m particularly excited to catch up on films I’ve not managed to see yet, like The Witch Who Came from the Sea and the Michael Crichton-directed Coma. While I can’t attest to all of these movies being good, I will say that the majority of them are definitely worth watching. I’d particularly recommend Don’t Look Now, The Crazies, The Driller Killer, Sisters, and, of course, The Texas Chain Saw Massacre.

If ’70s horror isn’t your thing, Criterion is also adding horror movies from other eras to their streaming service as well. Here’s the lineup of what you can expect to find there in October. Or you could just watch Hubie Halloween on Netflix. Whatever floats your boat.

100 Boyfriends Mixtape, Brontez Purnell, 2016 575 Castro St., Jenni Olson, 2008 The 7th Voyage of Sinbad, Nathan Juran, 1958 Above Suspicion, Richard Thorpe, 1943 Abuse of Weakness, Catherine Breillat, 2013** Affirmations, Marlon Riggs, 1990 American Dream, Barbara Kopple, Cathy Caplan, Thomas Haneke, Lawrence Silk, 1990 Anthem, Marlon Riggs, 1991 Autumn Leaves, Robert Aldrich, 1956 Barking Dogs Never Bite, Bong Joon Ho, 2000** The Best Man, Franklin J. Schaffner, 1964 Beware! The Blob, Larry Hagman, 1972 Black Christmas, Bob Clark, 1974 Black Is . . . Black Ain’t, Marlon Riggs, 1994 Blue Diary, Jenni Olson, 1998 Bluebeard, Catherine Breillat, 2009** Buck Privates, Arthur Lubin, 1941 Caché, Michael Haneke, 2005 Casa de lava, Pedro Costa, 1994 Cat People, Jacques Tourneur, 1942 Christine, Antonio Campos, 2016 Color Adjustment, Marlon Riggs, 1992 Coma, Michael Crichton, 1978 The Crazies, George A. Romero, 1973 Crying Fist, Ryoo Seung-wan, 2005 The Damned Don’t Cry, Vincent Sherman, 1950 Dancing Lady, Robert Z. Leonard, 1933 Date With Dizzy, John Hubley, 1958 Daughters of Darkness, Harry Kümel, 1971 Dear Zachary: A Letter to a Son About His Father, Kurt Kuenne, 2008 Death Line, Gary Sherman, 1972 Deathdream, Bob Clark, 1974 The Devil’s Backbone, Guillermo del Toro, 2001** Dirty, Matthew Puccini, 2020 Don’t Look Now, Nicolas Roeg, 1973 Dracula A.D. 1972, Alan Gibson, 1972 The Driller Killer, Abel Ferrara, 1979 A Drop of Sun Under the Earth, Shikeith, 2017 Election, Alexander Payne, 1999 Ethnic Notions, Marlon Riggs, 1986 Everybody Rides the Carousel, John Hubley, 1976 O Fantasma, João Pedro Rodrigues, 2000 The Foul King, Kim Jee-woon, 2000 Grand Hotel, Edmund Goulding, 1932 Harriet Craig, Vincent Sherman, 1950 The Hills Have Eyes, Wes Craven, 1977 The Hole, John Hubley, 1962 The Host, Bong Joon Ho, 2006** Humanoids from the Deep, Barbara Peeters, Jimmy T. Murakami, 1980 Humoresque, Jean Negulesco, 1946 I Shall Not Be Removed: The Life of Marlon Riggs, Karen Everett, 1996 The Illusionist, Sylvain Chomet, 2010** Images, Robert Altman, 1972 In nomine Patris, Jenni Olson, 2019 Influenza, Bong Joon Ho, 2004 Invasion of the Body Snatchers, Philip Kaufman, 1978 It’s Alive, Larry Cohen, 1974 The Joy of Life, Jenni Olson, 2005 Kirikou and the Sorceress, Michel Ocelot, 1998 The Labyrinth 1.0, Tiona Nekkia McClodden, 2017 Lady Vengeance, Park Chan-wook, 2005 The Last of Mrs. Cheyney, Richard Boleslawski, Dorothy Arzner, George Fitzmaurice, 1937 The Last Party, Mark Benjamin, Marc Levin, 1993 Let’s Scare Jessica to Death, John D. Hancock, 1971 Long Train Running: A History of the Oakland Blues, Marlon Riggs, Peter Webster, 1981 Love on the Run, W.S. Van Dyke, 1936 Mannequin, Frank Borzage, 1937 Mildred Pierce, Michael Curtiz, 1945 Moonbird, John Hubley, 1959 Mother, Bong Joon Ho, 2009** The Nightcomers, Michael Winner, 1971 Non, je ne regrette rien (No Regret), Marlon Riggs, 1993 Nosferatu, F.W. Murnau, 1922 Nosferatu the Vampyre, Werner Herzog, 1979 Nowhere to Hide, Lee Myung-se, 1999 Of Stars and Men, John Hubley, 1961 The Ornithologist, João Pedro Rodrigues, 2016** Our Dancing Daughters, Harry Beaumont, 1928 Our Modern Maidens, Jack Conway, 1929 Peeping Tom, Michael Powell, 1960 Possessed, Clarence Brown, 1931 Possessed, Curtis Bernhardt, 1947 The Public Enemy, William A. Wellman, 1931 Queen Bee, Ranald MacDougall, 1955 Rabid, David Cronenberg, 1977 Romance, Catherine Breillat, 1999 The Royal Road, Jenni Olson, 2015 Sadie McKee, Clarence Brown, 1934 Season of the Witch, George A. Romero, 1972 Shampoo, Hal Ashby, 1975 Shivers, David Cronenberg, 1975 Sleeping Beauty, Catherine Breillat, 2010** Slumber Party Massacre, Amy Holden Jones, 1982 The Smiling Lieutenant, Ernst Lubitsch, 1931 Strait-Jacket, William Castle, 1964 Strange Cargo, Frank Borzage, 1940 The Student Nurses, Stephanie Rothman, 1970 Suburbia, Penelope Spheeris, 1983 Sudden Fear, David Miller, 1952 Sympathy for Mr. Vengeance, Park Chan-wook, 2002 A Tale of Two Sisters, Kim Jee-woon, 2003 Tender Game, John Hubley, 1958 The Texas Chain Saw Massacre, Tobe Hooper, 1974 Theater of Blood, Douglas Hickox, 1973 To Die Like a Man, João Pedro Rodrigues, 2009** Tongues Untied, Marlon Riggs, 1989 Trog, Freddie Francis, 1970 Trouble in Paradise, Ernst Lubitsch, 1932 Two Drifters, João Pedro Rodrigues, 2005** The Unknown, Tod Browning, 1927 The Vampire Lovers, Roy Ward Baker, 1970 The Velvet Vampire, Stephanie Rothman, 1971 Videodrome, David Cronenberg, 1983 Vitalina Varela, Pedro Costa, 2019 Walk For Me, Elegance Bratton, 2016 We Need to Talk About Kevin, Lynne Ramsay, 2011** What Ever Happened to Baby Jane?, Robert Aldrich, 1962 The Wicker Man, Robin Hardy, 1973 The Witch Who Came from the Sea, Matt Cimber, 1976 A Woman’s Face, George Cukor, 1941 The Women, George Cukor, 1939 The Yearling, Clarence Brown, 1946 **Available in the U.S. only

The Criterion Channel Is Offering A Lineup Of Great ’70s Horror Movies This October

By Chris Evangelista/Sept. 24, 2020 3:15 pm EST

The Criterion Channel just went ahead and programmed your Halloween movie marathon for you. In October, the streaming service is offering a lineup of great horror movies from the 1970s, including The Texas Chain Saw Massacre, The Hills Have Eyes, Don’t Look Now, Deathdream, Invasion of the Body Snatchers, and more. Check out the full lineup below, and start planning your horror marathon accordingly.

It’s always a good time to watch horror movies. But there’s something extra special about doubling-down on horror watching in the month of October, all in the name of celebrating Halloween. And if you’re on the lookout for suggestions on what to watch, the Criterion Channel has you covered this year. The 1970s were a big decade for horror. America was dealing with the end of the turbulent 1960s and still in the midst of the Veitnam War, and good horror movies always reflect their respective eras. As the Criterion Channel explains, the horror of the ’70s “responded to the decade’s heightened political anxieties and Vietnam War–era sense of disillusionment by pushing the genre’s psychological intensity and visceral violence to shocking new heights.”

On October 4, the following films will find their way onto The Criterion Channel:

Trog, Freddie Francis, 1970 The Vampire Lovers, Roy Ward Baker, 1970 Daughters of Darkness, Harry Kümel, 1971 Let’s Scare Jessica to Death, John D. Hancock, 1971 The Nightcomers, Michael Winner, 1971 Dracula A.D. 1972, Alan Gibson, 1972 Images, Robert Altman, 1972 Death Line, Gary Sherman, 1972 Season of the Witch, George A. Romero, 1972 The Crazies, George A. Romero, 1973 Don’t Look Now, Nicolas Roeg, 1973 Ganja & Hess, Bill Gunn, 1973 Sisters, Brian De Palma, 1973 Theater of Blood, Douglas Hickox, 1973 The Wicker Man, Robin Hardy, 1973 Black Christmas, Bob Clark, 1974 Deathdream, Bob Clark, 1974 It’s Alive, Larry Cohen, 1974 The Texas Chain Saw Massacre, Tobe Hooper, 1974 Shivers, David Cronenberg, 1975 The Witch Who Came from the Sea, Matt Cimber, 1976 The Hills Have Eyes, Wes Craven, 1977 Rabid, David Cronenberg, 1977 Coma, Michael Crichton, 1978 Invasion of the Body Snatchers, Philip Kaufman, 1978 Long Weekend, Colin Eggleston, 1978 The Brood, David Cronenberg, 1979 The Driller Killer, Abel Ferrara, 1979

There’s a lot to get excited about here. I’m particularly excited to catch up on films I’ve not managed to see yet, like The Witch Who Came from the Sea and the Michael Crichton-directed Coma. While I can’t attest to all of these movies being good, I will say that the majority of them are definitely worth watching. I’d particularly recommend Don’t Look Now, The Crazies, The Driller Killer, Sisters, and, of course, The Texas Chain Saw Massacre.

If ’70s horror isn’t your thing, Criterion is also adding horror movies from other eras to their streaming service as well. Here’s the lineup of what you can expect to find there in October. Or you could just watch Hubie Halloween on Netflix. Whatever floats your boat.

100 Boyfriends Mixtape, Brontez Purnell, 2016 575 Castro St., Jenni Olson, 2008 The 7th Voyage of Sinbad, Nathan Juran, 1958 Above Suspicion, Richard Thorpe, 1943 Abuse of Weakness, Catherine Breillat, 2013** Affirmations, Marlon Riggs, 1990 American Dream, Barbara Kopple, Cathy Caplan, Thomas Haneke, Lawrence Silk, 1990 Anthem, Marlon Riggs, 1991 Autumn Leaves, Robert Aldrich, 1956 Barking Dogs Never Bite, Bong Joon Ho, 2000** The Best Man, Franklin J. Schaffner, 1964 Beware! The Blob, Larry Hagman, 1972 Black Christmas, Bob Clark, 1974 Black Is . . . Black Ain’t, Marlon Riggs, 1994 Blue Diary, Jenni Olson, 1998 Bluebeard, Catherine Breillat, 2009** Buck Privates, Arthur Lubin, 1941 Caché, Michael Haneke, 2005 Casa de lava, Pedro Costa, 1994 Cat People, Jacques Tourneur, 1942 Christine, Antonio Campos, 2016 Color Adjustment, Marlon Riggs, 1992 Coma, Michael Crichton, 1978 The Crazies, George A. Romero, 1973 Crying Fist, Ryoo Seung-wan, 2005 The Damned Don’t Cry, Vincent Sherman, 1950 Dancing Lady, Robert Z. Leonard, 1933 Date With Dizzy, John Hubley, 1958 Daughters of Darkness, Harry Kümel, 1971 Dear Zachary: A Letter to a Son About His Father, Kurt Kuenne, 2008 Death Line, Gary Sherman, 1972 Deathdream, Bob Clark, 1974 The Devil’s Backbone, Guillermo del Toro, 2001** Dirty, Matthew Puccini, 2020 Don’t Look Now, Nicolas Roeg, 1973 Dracula A.D. 1972, Alan Gibson, 1972 The Driller Killer, Abel Ferrara, 1979 A Drop of Sun Under the Earth, Shikeith, 2017 Election, Alexander Payne, 1999 Ethnic Notions, Marlon Riggs, 1986 Everybody Rides the Carousel, John Hubley, 1976 O Fantasma, João Pedro Rodrigues, 2000 The Foul King, Kim Jee-woon, 2000 Grand Hotel, Edmund Goulding, 1932 Harriet Craig, Vincent Sherman, 1950 The Hills Have Eyes, Wes Craven, 1977 The Hole, John Hubley, 1962 The Host, Bong Joon Ho, 2006** Humanoids from the Deep, Barbara Peeters, Jimmy T. Murakami, 1980 Humoresque, Jean Negulesco, 1946 I Shall Not Be Removed: The Life of Marlon Riggs, Karen Everett, 1996 The Illusionist, Sylvain Chomet, 2010** Images, Robert Altman, 1972 In nomine Patris, Jenni Olson, 2019 Influenza, Bong Joon Ho, 2004 Invasion of the Body Snatchers, Philip Kaufman, 1978 It’s Alive, Larry Cohen, 1974 The Joy of Life, Jenni Olson, 2005 Kirikou and the Sorceress, Michel Ocelot, 1998 The Labyrinth 1.0, Tiona Nekkia McClodden, 2017 Lady Vengeance, Park Chan-wook, 2005 The Last of Mrs. Cheyney, Richard Boleslawski, Dorothy Arzner, George Fitzmaurice, 1937 The Last Party, Mark Benjamin, Marc Levin, 1993 Let’s Scare Jessica to Death, John D. Hancock, 1971 Long Train Running: A History of the Oakland Blues, Marlon Riggs, Peter Webster, 1981 Love on the Run, W.S. Van Dyke, 1936 Mannequin, Frank Borzage, 1937 Mildred Pierce, Michael Curtiz, 1945 Moonbird, John Hubley, 1959 Mother, Bong Joon Ho, 2009** The Nightcomers, Michael Winner, 1971 Non, je ne regrette rien (No Regret), Marlon Riggs, 1993 Nosferatu, F.W. Murnau, 1922 Nosferatu the Vampyre, Werner Herzog, 1979 Nowhere to Hide, Lee Myung-se, 1999 Of Stars and Men, John Hubley, 1961 The Ornithologist, João Pedro Rodrigues, 2016** Our Dancing Daughters, Harry Beaumont, 1928 Our Modern Maidens, Jack Conway, 1929 Peeping Tom, Michael Powell, 1960 Possessed, Clarence Brown, 1931 Possessed, Curtis Bernhardt, 1947 The Public Enemy, William A. Wellman, 1931 Queen Bee, Ranald MacDougall, 1955 Rabid, David Cronenberg, 1977 Romance, Catherine Breillat, 1999 The Royal Road, Jenni Olson, 2015 Sadie McKee, Clarence Brown, 1934 Season of the Witch, George A. Romero, 1972 Shampoo, Hal Ashby, 1975 Shivers, David Cronenberg, 1975 Sleeping Beauty, Catherine Breillat, 2010** Slumber Party Massacre, Amy Holden Jones, 1982 The Smiling Lieutenant, Ernst Lubitsch, 1931 Strait-Jacket, William Castle, 1964 Strange Cargo, Frank Borzage, 1940 The Student Nurses, Stephanie Rothman, 1970 Suburbia, Penelope Spheeris, 1983 Sudden Fear, David Miller, 1952 Sympathy for Mr. Vengeance, Park Chan-wook, 2002 A Tale of Two Sisters, Kim Jee-woon, 2003 Tender Game, John Hubley, 1958 The Texas Chain Saw Massacre, Tobe Hooper, 1974 Theater of Blood, Douglas Hickox, 1973 To Die Like a Man, João Pedro Rodrigues, 2009** Tongues Untied, Marlon Riggs, 1989 Trog, Freddie Francis, 1970 Trouble in Paradise, Ernst Lubitsch, 1932 Two Drifters, João Pedro Rodrigues, 2005** The Unknown, Tod Browning, 1927 The Vampire Lovers, Roy Ward Baker, 1970 The Velvet Vampire, Stephanie Rothman, 1971 Videodrome, David Cronenberg, 1983 Vitalina Varela, Pedro Costa, 2019 Walk For Me, Elegance Bratton, 2016 We Need to Talk About Kevin, Lynne Ramsay, 2011** What Ever Happened to Baby Jane?, Robert Aldrich, 1962 The Wicker Man, Robin Hardy, 1973 The Witch Who Came from the Sea, Matt Cimber, 1976 A Woman’s Face, George Cukor, 1941 The Women, George Cukor, 1939 The Yearling, Clarence Brown, 1946 **Available in the U.S. only

It’s always a good time to watch horror movies. But there’s something extra special about doubling-down on horror watching in the month of October, all in the name of celebrating Halloween. And if you’re on the lookout for suggestions on what to watch, the Criterion Channel has you covered this year.

The 1970s were a big decade for horror. America was dealing with the end of the turbulent 1960s and still in the midst of the Veitnam War, and good horror movies always reflect their respective eras. As the Criterion Channel explains, the horror of the ’70s “responded to the decade’s heightened political anxieties and Vietnam War–era sense of disillusionment by pushing the genre’s psychological intensity and visceral violence to shocking new heights.”

On October 4, the following films will find their way onto The Criterion Channel:

Trog, Freddie Francis, 1970

The Vampire Lovers, Roy Ward Baker, 1970

Daughters of Darkness, Harry Kümel, 1971

Let’s Scare Jessica to Death, John D. Hancock, 1971

The Nightcomers, Michael Winner, 1971

Dracula A.D. 1972, Alan Gibson, 1972

Images, Robert Altman, 1972

Death Line, Gary Sherman, 1972

Season of the Witch, George A. Romero, 1972

The Crazies, George A. Romero, 1973

Don’t Look Now, Nicolas Roeg, 1973

Ganja & Hess, Bill Gunn, 1973

Sisters, Brian De Palma, 1973

Theater of Blood, Douglas Hickox, 1973

The Wicker Man, Robin Hardy, 1973

Black Christmas, Bob Clark, 1974

Deathdream, Bob Clark, 1974

It’s Alive, Larry Cohen, 1974

The Texas Chain Saw Massacre, Tobe Hooper, 1974

Shivers, David Cronenberg, 1975

The Witch Who Came from the Sea, Matt Cimber, 1976

The Hills Have Eyes, Wes Craven, 1977

Rabid, David Cronenberg, 1977

Coma, Michael Crichton, 1978

Invasion of the Body Snatchers, Philip Kaufman, 1978

Long Weekend, Colin Eggleston, 1978

The Brood, David Cronenberg, 1979

The Driller Killer, Abel Ferrara, 1979

There’s a lot to get excited about here. I’m particularly excited to catch up on films I’ve not managed to see yet, like The Witch Who Came from the Sea and the Michael Crichton-directed Coma. While I can’t attest to all of these movies being good, I will say that the majority of them are definitely worth watching. I’d particularly recommend Don’t Look Now, The Crazies, The Driller Killer, Sisters, and, of course, The Texas Chain Saw Massacre.

If ’70s horror isn’t your thing, Criterion is also adding horror movies from other eras to their streaming service as well. Here’s the lineup of what you can expect to find there in October. Or you could just watch Hubie Halloween on Netflix. Whatever floats your boat.

100 Boyfriends Mixtape, Brontez Purnell, 2016

575 Castro St., Jenni Olson, 2008

The 7th Voyage of Sinbad, Nathan Juran, 1958

Above Suspicion, Richard Thorpe, 1943

Abuse of Weakness, Catherine Breillat, 2013**

Affirmations, Marlon Riggs, 1990

American Dream, Barbara Kopple, Cathy Caplan, Thomas Haneke, Lawrence Silk, 1990

Anthem, Marlon Riggs, 1991

Autumn Leaves, Robert Aldrich, 1956

Barking Dogs Never Bite, Bong Joon Ho, 2000**

The Best Man, Franklin J. Schaffner, 1964

Beware! The Blob, Larry Hagman, 1972

Black Is . . . Black Ain’t, Marlon Riggs, 1994

Blue Diary, Jenni Olson, 1998

Bluebeard, Catherine Breillat, 2009**

Buck Privates, Arthur Lubin, 1941

Caché, Michael Haneke, 2005

Casa de lava, Pedro Costa, 1994

Cat People, Jacques Tourneur, 1942

Christine, Antonio Campos, 2016

Color Adjustment, Marlon Riggs, 1992

Coma, Michael Crichton, 1978

Crying Fist, Ryoo Seung-wan, 2005

The Damned Don’t Cry, Vincent Sherman, 1950

Dancing Lady, Robert Z. Leonard, 1933

Date With Dizzy, John Hubley, 1958

Dear Zachary: A Letter to a Son About His Father, Kurt Kuenne, 2008

The Devil’s Backbone, Guillermo del Toro, 2001**

Dirty, Matthew Puccini, 2020

A Drop of Sun Under the Earth, Shikeith, 2017

Election, Alexander Payne, 1999

Ethnic Notions, Marlon Riggs, 1986

Everybody Rides the Carousel, John Hubley, 1976

O Fantasma, João Pedro Rodrigues, 2000

The Foul King, Kim Jee-woon, 2000

Grand Hotel, Edmund Goulding, 1932

Harriet Craig, Vincent Sherman, 1950

The Hole, John Hubley, 1962

The Host, Bong Joon Ho, 2006**

Humanoids from the Deep, Barbara Peeters, Jimmy T. Murakami, 1980

Humoresque, Jean Negulesco, 1946

I Shall Not Be Removed: The Life of Marlon Riggs, Karen Everett, 1996

The Illusionist, Sylvain Chomet, 2010**

In nomine Patris, Jenni Olson, 2019

Influenza, Bong Joon Ho, 2004

The Joy of Life, Jenni Olson, 2005

Kirikou and the Sorceress, Michel Ocelot, 1998

The Labyrinth 1.0, Tiona Nekkia McClodden, 2017

Lady Vengeance, Park Chan-wook, 2005

The Last of Mrs. Cheyney, Richard Boleslawski, Dorothy Arzner, George Fitzmaurice, 1937

The Last Party, Mark Benjamin, Marc Levin, 1993

Long Train Running: A History of the Oakland Blues, Marlon Riggs, Peter Webster, 1981

Love on the Run, W.S. Van Dyke, 1936

Mannequin, Frank Borzage, 1937

Mildred Pierce, Michael Curtiz, 1945

Moonbird, John Hubley, 1959

Mother, Bong Joon Ho, 2009**

Non, je ne regrette rien (No Regret), Marlon Riggs, 1993

Nosferatu, F.W. Murnau, 1922

Nosferatu the Vampyre, Werner Herzog, 1979

Nowhere to Hide, Lee Myung-se, 1999

Of Stars and Men, John Hubley, 1961

The Ornithologist, João Pedro Rodrigues, 2016**

Our Dancing Daughters, Harry Beaumont, 1928

Our Modern Maidens, Jack Conway, 1929

Peeping Tom, Michael Powell, 1960

Possessed, Clarence Brown, 1931

Possessed, Curtis Bernhardt, 1947

The Public Enemy, William A. Wellman, 1931

Queen Bee, Ranald MacDougall, 1955

Romance, Catherine Breillat, 1999

The Royal Road, Jenni Olson, 2015

Sadie McKee, Clarence Brown, 1934

Shampoo, Hal Ashby, 1975

Sleeping Beauty, Catherine Breillat, 2010**

Slumber Party Massacre, Amy Holden Jones, 1982

The Smiling Lieutenant, Ernst Lubitsch, 1931

Strait-Jacket, William Castle, 1964

Strange Cargo, Frank Borzage, 1940

The Student Nurses, Stephanie Rothman, 1970

Suburbia, Penelope Spheeris, 1983

Sudden Fear, David Miller, 1952

Sympathy for Mr. Vengeance, Park Chan-wook, 2002

A Tale of Two Sisters, Kim Jee-woon, 2003

Tender Game, John Hubley, 1958

To Die Like a Man, João Pedro Rodrigues, 2009**

Tongues Untied, Marlon Riggs, 1989

Trouble in Paradise, Ernst Lubitsch, 1932

Two Drifters, João Pedro Rodrigues, 2005**

The Unknown, Tod Browning, 1927

The Velvet Vampire, Stephanie Rothman, 1971

Videodrome, David Cronenberg, 1983

Vitalina Varela, Pedro Costa, 2019

Walk For Me, Elegance Bratton, 2016

We Need to Talk About Kevin, Lynne Ramsay, 2011**

What Ever Happened to Baby Jane?, Robert Aldrich, 1962

A Woman’s Face, George Cukor, 1941

The Women, George Cukor, 1939

The Yearling, Clarence Brown, 1946

**Available in the U.S. only